Friday, August 13, 2010
Zoo
Zoo - If Terrence Malick and David Lynch were morphed into one person and made a documentary film about zoophiles -- ZOO would be it. Some of the most amazing cinematography and visuals I've seen in a long time. Cinematic eye candy and a revolution in doc-film making.
Thursday, August 12, 2010
Words
Made by Everynone (in Collaboration with WNYC's Radiolab & NPR)
Directed by Daniel Mercadante & Will Hoffman
Supervising Producer: Robert Krulwich
Original Score: Keith Kenniff (http://unseen-music.com)
http://www.everynone.com
Wednesday, August 11, 2010
Summer of 1994
Plastic Bag
by Ramin Bahrani
Struggling with its immortality, a discarded plastic bag (voiced by Werner Herzog) ventures through the environmentally barren remains of America as it searches for its maker.
Tuesday, August 03, 2010
Film Festival Rejection: A Response

Film Festival Rejection; A Response
Film festivals typically send you rejection notices that read like sterile hall passes. For all I know, they never even watched my film. They just took my submission fee and ran. I've taken to writing them response letters upon receiving the rejection notice, not because I believe that they'll respond (I'm 0 for 4 on responses) but because I know that somewhere, someone is receiving my passive aggressive e-mail and they're either getting angry at me or frustrated that my e-mail is clogging up their in-box.
Here is my response to the new 2010 New Orleans Film Festival's above rejection letter:
To Whom It May Concern,
Thank you for the update on the status of my festival submission. I am wondering though why the film was not accepted into the 2010 program. Perhaps your input and critique could shed some light on how my short documentary could have better fit into your programming.
I know that my film is a beautiful film, with a simple portrait for a story. The film has been accepted at other film festivals and has been received well by my peers who happen to include famous filmmakers and photographers. Knowing that, I am genuinely interested in what you didn't like about the film, personal taste aside. After all, just because one person doesn't like a film doesn't mean that the film is bad, or warrants a rejection. Film festivals are not popularity contests, but rather forums to present quality film making to the public.
Thank you for your time and I look forward to your thoughts and comments.
Sincerely,
Rod Blackhurst
Monday, August 02, 2010
Pecker Size Not Unrelated to Declining PC Sales

Pecker Size Not Unrelated to Declining PC Sales
I love spam mail. Like this company thinks I'm going to somehow decided to get my drugs through them. Right. Oh, and they've used the word pecker. Pecker was a cool word in, say, I don't know, 5th grade. But their business model is based on it. I'm probably not going to get my meds through them.
Friday, July 30, 2010
Catfish
In late 2007, filmmakers Ariel Schulman and Henry Joost sensed a story unfolding as they began to film the life of Ariel’s brother, Nev. They had no idea that their project would lead to the most exhilarating and unsettling months of their lives. A reality thriller that is a shocking product of our times, Catfish is a riveting story of love, deception and grace within a labyrinth of online intrigue.
Thursday, July 29, 2010
Wednesday, July 28, 2010
Flame Throwers Are Always Cool
Directed by Tomas Mankovsky
Cast/ Performers (in order of appearance)
Old Man - Keith Francis
Flame Man - Adam Speers
Ice Man - Phil Zimmerman
Producer - Patrick Craig
Casting Director - Sophie North
Editor - Julian Tranquille
Post Production Supervisor - Justin Brukman
1st AD - Chris Kelly
1st AD - Ben Fogg
Production Manager - Adam Shaw
Director Of Photography - Adam Frisch
Focus Puller - Jeremy Fusco
Phantom Technician - John Hadfield
Camera Assistant - Roland Philip
7D Camera Assistant - Chris Nunn
Gaffer - Tony Miller
Spark - Jim Okeffe
Spark - Chris Georgeous
Spark - Jason Fletcher
Genny Op - Kevin Cooli
Genny Op - Lee Parfit
Art Directors
Arthur De Borman
Sam Ludgate
Special Effects - Artem
Special Effects Supervisor - Simon Tayler
Special Effects Technicians - Toby Stewart
Special Effects Technicians - Jonathan Bickerdike
Special Effects Technicians - Matt Loader
Hair & Make Up - Izzy Broad
Stylist - Tess Loe
Stylist Assistant - Daisy Babbington
Fire Cover - 1st Defense
Medical Cover - Location Medical
Animals - A-Z Animals - Gerry Cott
Photography - Marcus Palmqvist
Photography Assistant - Belinda Foord
Production Assistant - Rob Leonard
Runner - Sophia Marks
Runner - Lola Marks
Runner - Anna Fogg
Special Thanks To
Cut and Run
Take 2 Films
MPC
Green Door Films
Panalux
Black Country Parks
San Remo Café
Tuesday, July 27, 2010
Monday, July 26, 2010
John Butler Trio 'Revolution'
'Revolution'
from the album April Uprising
Director | James Minchin III
Director of Photography + Editor | Rod Blackhurst
Saturday, July 24, 2010
A Valedictorian's Speech
There is a story of a young, but earnest Zen student who approached his teacher, and asked the Master: "If I work very hard and diligently, how long will it take for me to find Zen?" The Master thought about this, then replied, "Ten years . ." (The student then said, "But what if I work very, very hard and really apply myself to learn fast - How long then?" Replied the Master, "Well, twenty years." "But, if I really, really work at it, how long then?" asked the student. "Thirty years," replied the Master. "But, I do not understand," said the disappointed student. "At each time that I say I will work harder, you say it will take me longer. Why do you say that?" (Replied the Master, "When you have one eye on the goal, you only have one eye on the path."
This is the dilemma I've faced within the American education system. We are so focused on a goal, whether it be passing a test, or graduating as first in the class. However, in this way, we do not really learn. We do whatever it takes to achieve our original objective.
Some of you may be thinking, "Well, if you pass a test, or become valedictorian, didn't you learn something? Well, yes, you learned something, but not all that you could have. Perhaps, you only learned how to memorize names, places, and dates to later on forget in order to clear your mind for the next test. School is not all that it can be. Right now, it is a place for most people to determine that their goal is to get out as soon as possible.
I am now accomplishing that goal. I am graduating. I should look at this as a positive experience, especially being at the top of my class. However, in retrospect, I cannot say that I am any more intelligent than my peers. I can attest that I am only the best at doing what I am told and working the system. Yet, here I stand, and I am supposed to be proud that I have completed this period of indoctrination. I will leave in the fall to go on to the next phase expected of me, in order to receive a paper document that certifies that I am capable of work. But I contest that I am a human being, a thinker, an adventurer - not a worker. A worker is someone who is trapped within repetition - a slave of the system set up before him. But now, I have successfully shown that I was the best slave. I did what I was told to the extreme. While others sat in class and doodled to later become great artists, I sat in class to take notes and become a great test-taker. While others would come to class without their homework done because they were reading about an interest of theirs, I never missed an assignment. While others were creating music and writing lyrics, I decided to do extra credit, even though I never needed it. So, I wonder, why did I even want this position? Sure, I earned it, but what will come of it? When I leave educational institutionalism, will I be successful or forever lost? I have no clue about what I want to do with my life; I have no interests because I saw every subject of study as work, and I excelled at every subject just for the purpose of excelling, not learning.
John Taylor Gatto, a retired school teacher and activist critical of compulsory schooling, asserts, "We could encourage the best qualities of youthfulness - curiosity, adventure, resilience, the capacity for surprising insight simply by being more flexible about time, texts, and tests, by introducing kids into truly competent adults, and by giving each student what autonomy he or she needs in order to take a risk every now and then. But we don't do that." Between these cinderblock walls, we are all expected to be the same. We are trained to ace every standardized test, and those who deviate and see light through a different lens are worthless to the scheme of public education, and therefore viewed with contempt.
H. L. Mencken wrote in The American Mercury for April 1924 that the aim of public education is not to fill the young of the species with knowledge and awaken their intelligence. ... Nothing could be further from the truth. The aim ... is simply to reduce as many individuals as possible to the same safe level, to breed and train a standardized citizenry, to put down dissent and originality. That is its aim in the United States. (Gatto)
To illustrate this idea, doesn't it perturb you to learn about the idea of "critical thinking." Is there really such a thing as "uncritically thinking?" To think is to process information in order to form an opinion. But if we are not critical when processing this information, are we really thinking? Or are we mindlessly accepting other opinions as truth?
This was happening to me, and if it wasn't for the rare occurrence of an avant-garde tenth grade English teacher, Donna Bryan, who allowed me to open my mind and ask questions before accepting textbook doctrine, I would have been doomed. I am now enlightened, but my mind still feels disabled. I must retrain myself and constantly remember how insane this ostensibly sane place really is.
And now here I am in a world guided by fear, a world suppressing the uniqueness that lies inside each of us, a world where we can either acquiesce to the inhuman nonsense of corporatism and materialism or insist on change. We are not enlivened by an educational system that clandestinely sets us up for jobs that could be automated, for work that need not be done, for enslavement without fervency for meaningful achievement. We have no choices in life when money is our motivational force. Our motivational force ought to be passion, but this is lost from the moment we step into a system that trains us, rather than inspires us.
We are more than robotic bookshelves, conditioned to blurt out facts we were taught in school. We are all very special, every human on this planet is so special, so aren't we all deserving of something better, of using our minds for innovation, rather than memorization, for creativity, rather than futile activity, for rumination rather than stagnation? We are not here to get a degree, to then get a job, so we can consume industry-approved placation after placation. There is more, and more still.
The saddest part is that the majority of students don't have the opportunity to reflect as I did. The majority of students are put through the same brainwashing techniques in order to create a complacent labor force working in the interests of large corporations and secretive government, and worst of all, they are completely unaware of it. I will never be able to turn back these 18 years. I can't run away to another country with an education system meant to enlighten rather than condition. This part of my life is over, and I want to make sure that no other child will have his or her potential suppressed by powers meant to exploit and control. We are human beings. We are thinkers, dreamers, explorers, artists, writers, engineers. We are anything we want to be - but only if we have an educational system that supports us rather than holds us down. A tree can grow, but only if its roots are given a healthy foundation.
For those of you out there that must continue to sit in desks and yield to the authoritarian ideologies of instructors, do not be disheartened. You still have the opportunity to stand up, ask questions, be critical, and create your own perspective. Demand a setting that will provide you with intellectual capabilities that allow you to expand your mind instead of directing it. Demand that you be interested in class. Demand that the excuse, "You have to learn this for the test" is not good enough for you. Education is an excellent tool, if used properly, but focus more on learning rather than getting good grades.
For those of you that work within the system that I am condemning, I do not mean to insult; I intend to motivate. You have the power to change the incompetencies of this system. I know that you did not become a teacher or administrator to see your students bored. You cannot accept the authority of the governing bodies that tell you what to teach, how to teach it, and that you will be punished if you do not comply. Our potential is at stake.
For those of you that are now leaving this establishment, I say, do not forget what went on in these classrooms. Do not abandon those that come after you. We are the new future and we are not going to let tradition stand. We will break down the walls of corruption to let a garden of knowledge grow throughout America. Once educated properly, we will have the power to do anything, and best of all, we will only use that power for good, for we will be cultivated and wise. We will not accept anything at face value. We will ask questions, and we will demand truth.
So, here I stand. I am not standing here as valedictorian by myself. I was molded by my environment, by all of my peers who are sitting here watching me. I couldn't have accomplished this without all of you. It was all of you who truly made me the person I am today. It was all of you who were my competition, yet my backbone. In that way, we are all valedictorians.
I am now supposed to say farewell to this institution, those who maintain it, and those who stand with me and behind me, but I hope this farewell is more of a "see you later" when we are all working together to rear a pedagogic movement. But first, let's go get those pieces of paper that tell us that we're smart enough to do so!




